What are the Best “Wildlife Lenses” for a Safari in Botswana?

Given the immense array of options out there, I realize what a big question this is, with potentially varied answers. However, picking out the best wildlife lens for a Botswana Safari is a key question likely going through any traveler’s mind, and becomes easier when breaking this into “styles” of nature photographers out there.

We’ll go in ascending order and take things into account like goals, weight & size, budget, and expectations to get you fully dialed in.

The beginner friendly but still discerning nature photographer

For those that aren’t yet ready to dive into the world of interchangeable lens cameras, I’ve got great news for you. You can still go the point-and-shoot route but get pro level (or at least VERY high quality results) with a single camera, and no need to change lenses.

The Sony RX10 V has just been released and is a powerhouse. This builds on the previous RX10 IV model, which has been one of my top recommendations to-date, but the version 5 comes with a new sensor, better autofocus, higher maximum frame rate (i.e., how many photos you can take per second) and all the other “build quality” bells and whistles you’d expect from a camera that is nearly 10 years newer (the version 4 came out in 2017).

The best parts about this camera are the large one-inch sensor (for a point-and-shoot that’s great), the fact that it has a built in high quality 24-600mm lens, and that it all comes in a relatively compact size for its astounding capabilities and quality. This 24-600mm range is pretty much all you ever need for landscapes, wildlife, and general travel photography. And as you’ll see in the rest of this article, 600mm is spectacular for wildlife photography in Botswana.

At the time of this publication, the RX10 V hasn’t yet been released for sale, but it has been announced, which means it’s on the horizon. There is a good chance that by the time you’re reading this, it is readily available. Could you still benefit from picking up a used version 4 of this camera? Absolutely. In fact, had Sony not come out with this much-anticipated newer version, I’d be recommending that one, still…

Nevertheless, if you want to quickly elevate your nature photography in a one-stop-shop system, this is the one.

The intermediate or advanced beginner that is looking for their first telephoto wildlife lens

If you are looking to build out your first kit, but don’t want to break the bank, there are some excellent options on all camera systems…Canon, Nikon, OM, Sony, etc.

While I do subscribe to the idea of “buy once, cry once” when it comes to investing in lenses, if you aren’t ready to make the plunge in a pro-level lens, but still want a solid array of pro-level qualities in a great wildlife lens, I recommend looking at the sub $1000 100-400mm class of lenses. Not long ago, 400mm was all you could really expect from a great wildlife lens. While new camera tech and general advancements have given rise to new 500mm and 600mm lenses, the 100-400 is still an excellent choice and gives you wonderful reach for wildlife.

Plus, if you have what’s known as a ‘crop frame sensor’ you actually get even more reach, as these 100-400mm lenses are multiplied because of your sensor to somewhere around 1.4 or 1.6x the focal length. This means that you might actually be getting the equivalent of a 560 or 640mm with more introductory camera bodies.

A key takeaway is this…if you have a set amount to invest in this lens, and you have a 100-400mm and 150-600mm on the table as options, both at a similar price, you will find that the 100-400mm probably has better optical quality. The extra reach of a 600mm would be nice, but if both lenses are at the same price, a 400mm has great reach and with that added quality, you can probably crop a bit to make it the equivalent of a 500 or 600mm with minimal degradation in quality.

Expect to pay between $600 and $1200 for a lens like this, and while it will not get you the same results as a lens that’s $2500-$3000 in the same zoom range, they are solid and they don’t break the bank.

The intermediate photographer that is looking to get into higher end lenses

If you are relatively serious about your photography and are ready to invest more for a sharper image, faster autofocus and better build quality (all while giving you a bit of extra reach), most camera systems now have a higher end option in the 100-500mm, 200-500mm or 200-600mm range.

This is what I use personally and these have many merits. In addition to the obvious extra range, they are generally weather and dust sealed, which improves performance, and they are more accurate and faster with autofocus, which is huge in wildlife photography. But at the end of the day, the significant improvements in optical quality, just through better glass and physics, makes them outstanding lenses. They are also still relatively small and lightweight compared to the tip-top pro level lenses I’ll discuss in the final section of this article.

Rather than list specific lenses for each and every camera system, I’ll give you a price range to look for with these, as price does correlate to overall quality. Expect to pay between $2000 and $3000 for these types of lenses, and while it’s an investment, they will give you pro-level results and retain their resale value quite well. In other words, you may be able to use a new model of these lenses (i.e., the lens was announced in the last 5 or so years) and then sell it used for 70% of what you paid for it 5 years later. You probably won’t be able to do that with lower quality lenses, so it’s worth considering when budgeting for this class of lenses…do you pay a bit more now and allow a greater % to be recouped? I think it’s a worthy investment if you are quite passionate about wildlife photography and have the mirrorless or DSLR system to go with it.

Finally, these lenses are often the pros choice, even though there is another category to talk about, as they are smaller, lighter, and more travel-friendly than the next option.

The tip-top pro level lenses

The irony here is that the very best “category” of wildlife lenses usually comes with some major constraints, other than just price. In addition to being oftentimes prohibitively large and heavy, they are usually “fixed” lenses such that they have no zoom. A 400mm f/2.8 is stuck at 400mm…you can’t zoom out or in, and every shot you take is at 400mm. If you want something bigger in your frame, you either have to crop in on the computer, or put on a tele-extender. Same thing on the wider end of the spectrum.

The good thing is that tele-extenders (aka tele-converters) work extremely well with this class of lenses. For lesser zoom lenses, I would never recommend using them. However, for these, it’s a powerful option and tool in your kit. You can choose a 1.4x extender, turning a 400mm into a 560mm or a 2x extender making it an 800mm. These do, though, limit light such that 1.4x will drop your maximum aperture from f/2.8 to f/4, and for the 2x all the way to f/5.6. This effectively halves or quarters the amount of light you’re able to get, which is a big cost.

Similarly, image quality will be reduced slightly for the 1.4x and a bit more with the 2x. It’s hard to have your cake and eat it, too…

Despite these constraints, they are spectacular lenses. They are sharper with better auto-focus speed and accuracy. They give you more ability to crop-in due to overall quality, and the shallow depth of field from these “big primes” as they’re often called, is second to none.

These will, simply put, give you the most “pro looking” shots possible.

Are they necessary? Well, I’ll let that be your call. You certainly don’t need these for reach, but if you are a discerning photographer that is ok with the cost, size, weight, and lack of zoom versatility, they will produce the sharpest and best results. However, “best results” is subjective, as you may actually get fewer shots due to their constraints. But, it is likely a quality over quantity thing here, and I can tell you the quality of these $10,000-$15,000 lenses is out of this world.

Final thoughts

The best wildlife lens for a Botswana photo safari is ultimately the one that strikes the right balance between image quality, reach, portability, and budget for you. A budget-friendly 100–400mm lens can produce outstanding results, while the higher-end version, or 500mm and 600mm zooms offer additional reach, speed, and durability for more serious photographers. And although the enormous professional prime lenses deliver truly spectacular image quality, they also come with significant tradeoffs in cost, weight, and versatility.

Whichever route you choose, remember that great safari photography is about far more than owning the most expensive lens. Anticipating behavior, going with guides that understand wildlife patterns, understanding light, composing thoughtfully, and being ready when the moment happens will have an even greater impact on your images.

Choose the lens you’ll enjoy using, learn it inside and out, and let Botswana’s extraordinary wildlife do the rest.

Enjoy it out there,

Court